The story of how Nikita arrives to Section One after being falsely accused of murder. We see her early days training to become an operative in the facilities of Section One and having to accomplish her first mission after what seemed to be just a dinner in a fancy restaurant. She is given false directions about how to escape so that they can be sure she can handle it. Written by David del Real
La Femme Nikita was a Canadian action/drama television series based on the French film Nikita by Luc Besson. The series was co-produced by Jay Firestone of Fireworks Entertainment and Warner Bros.. It was adapted for television by Joel Surnow. The series was first telecast in North America on the USA Network cable channel on January 13, 1997, and ran for five television seasons—until March 2001. The series was also aired in Canada on the over-the-air CTV Television Network. La Femme Nikita was the highest-rated drama on American basic cable during its first two seasons. It was also distributed in some other countries, and it continues to have a strong cult following.
This drama series is a fictionalized retelling of the story of meth dealer-turned-ATF informant Charles Falco, who spent three years inside one of America’s most dangerous motorcycle gangs, the Vagos. Although Falco originally took on the assignment to avoid spending 20 years in prison on drug charges, it eventually evolved into a quest for justice for him. “Gangland Undercover” documents the lives of outlaw bikers, who live in a world in which respect is earned through fear. The series is based on Falco’s memoir, “Vagos, Mongols, and Outlaws,” and documented historical research of gang rivalries.
Captain Power and the Soldiers of the Future is a 1987–88 Canadian-American science fiction/action television series, merging live action with animation based on computer-generated images, that ran for 22 episodes in Canadian and American syndication. A toy line was also produced by Mattel, and during each episode there was a segment that included visual and audio material which interacted with the toys.
Happily unattached, the sexually voracious Leila satisfies her desires with a host of rapidly changing bed partners, unconcerned about the emotional consequences. But that all changes when she meets an artist looking for a deeper commitment.