Koch Brothers Exposed is a hard-hitting investigation of the 1% at its very worst. This full-length documentary film on Charles and David Koch—two of the world’s richest and most powerful men—is the latest from acclaimed director Robert Greenwald (Wal-Mart: the High Cost of Low Price, Outfoxed, Rethink Afghanistan). The billionaire brothers bankroll a vast network of organizations that work to undermine the interests of the 99% on issues ranging from Social Security to the environment to civil rights. This film uncovers the Kochs’ corruption—and points the way to how Americans can reclaim their democracy.
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An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack
Utility companies are racing to replace electricity, gas and water meters worldwide with new generation “smart” meters at an unprecedented rate. With compelling insight from insiders, researchers, government representatives, lawyers, doctors and environmentalists, Take Back Your Power investigates claimed benefits and apparent risks of this ubiquitous “smart” grid program. Transparency advocate Josh del Sol takes us on a journey of revelation and discovery, as we question corporate practices of surveillance, extortion and causing harm in the name of “green”. What you discover will surprise you, unsettle you, and inspire you to challenge the status quo.
Tale of a Lake is a film about the thousands of lakes that Finland is known for. It takes the viewers on an unprecedented adventure, ranging from the crystal clear springs all the way to the basins of the big lakes. It opens a whole new world of underwater nature for the viewers, and tells about the many old tales and beliefs in the land of thousands of lakes. The story of the film is told through tales that are based around the myths, legends and old beliefs that are part of the Finnish mythology.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.
From the first time he performed Swimming to Cambodia – the one-man account of his experience of making the 1984 film The Killing Fields – Spalding Gray made the art of the monologue his own. Drawing unstintingly on the most intimate aspects of his own life, his shows were vibrant, hilarious and moving. His death came tragically early, in 2004; this compilation of interview and performance footage nails his idiosyncratic and irreplaceable brilliance.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.