When former Princeton music professor Arthur Cochran unexpectedly stumbles into choir practice at a small-town church, he finds a group of singers that are out of tune in more ways than one.
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Chicagoan Frank Gallagher is the proud single dad of six smart, industrious, independent kids, who without him would be… perhaps better off. When Frank’s not at the bar spending what little money they have, he’s passed out on the floor. But the kids have found ways to grow up in spite of him. They may not be like any family you know, but they make no apologies for being exactly who they are.
Michael Carbonaro is a magician by trade, but a prankster by heart. In “The Carbonaro Effect”, Michael performs baffling tricks on unsuspecting people in everyday situations, all caught on hidden camera. Everyone is left stunned and delighted, even though they have no idea what just hit them.
Award-winning comedian and self-confessed obsessive worrier Jon Richardson, attempts to analyse, assess and log every single one of his many, many worries.
Duck Dynasty is an American reality television series on A&E. It shows the lives of the Robertson family, who became wealthy from their family-operated business, Duck Commander, operated in West Monroe, Louisiana, which makes products for duck hunters, primarily the duck call named Duck Commander. The Robertson men, brothers Phil and Si, and Phil’s sons Jase, Willie, and Jep, are known for their long beards. The business began in a family shed, where Phil Robertson spent 25 years making duck calls from Louisiana cedar trees. His son Willie is now the CEO of the company. The family was previously featured on the series Benelli Presents Duck Commander and its spin-off Buck Commander, which still airs on the Outdoor Channel.
The show has broken several ratings records on both A&E and cable television as a whole; the fourth season premiere drew 11.8 million viewers, the most-watched nonfiction cable telecast in history.
Shot like a documentary, the semi-improvised comedy Hoff The Record follows TV legend David Hasselhoff – playing a highly fictionalized version of himself – as he arrives in the UK in an attempt to reignite his flagging career. It’s been thirty years since he rose to worldwide fame in Baywatch and Knight Rider and things have since gone a little stale for The Hoff. Will a move across the Atlantic change his luck?
Coupling is a British television sitcom written by Steven Moffat that aired on BBC2 from May 2000 to June 2004. Produced by Hartswood Films for the BBC, the show centres on the dating and sexual adventures and mishaps of six friends in their thirties, often depicting the three women and the three men each talking among themselves about the same events, but in entirely different terms.
The series was inspired by Moffat’s relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters. Coupling is an example of the “group-genre”, an ensemble show that had proven popular at the time. Critics compared the show to the American sitcoms Friends and Seinfeld.
The critical reaction was largely positive, and the show was named “Best TV Comedy” at the 2003 British Comedy Awards. The show debuted to unimpressive ratings, but its popularity soon increased and by the end of the third series the show had achieved decent ratings in the UK. The series began airing on PBS stations and on BBC America in the United States in late 2002 and quickly gained a devoted fanbase there as well. The show is syndicated around the world. Short-lived American and Greek adaptations were briefly produced in 2003 and 2007 respectively.
Devin Burke and her family have moved cross-country to California and now must adjust to a new life and a new soccer team. The Kentville Kicks don’t quite play up to the standard that Devin is used to, so she must establish herself as a leader while also trying to make friends in a strange place.
Set in a geriatric extended care wing of a down-at-the-heels hospital, Getting On follows put-upon nurses, anxious doctors and administrators as they struggle with the darkly comic, brutally honest and quietly compassionate realities of caring for the elderly.